![]() ![]() While the title of the painting seemed to be chosen in haste for the catalogue, the term "Impressionism" was not new. Monet claimed that he titled the painting Impression, Sunrise due to his hazy painting style in his depiction of the subject: "They asked me for a title for the catalogue, it couldn't really be taken for a view of Le Havre, and I said: 'Put Impression.'" In addition to this explanation for the title of the work, art historian Paul Smith claims that Monet might have named the painting Impression to excuse his painting from accusations of being unfinished or lacking descriptive detail, but Monet received these criticisms regardless of the title. It was recovered and returned to the museum in 1990, and put back on display in 1991. In 1985 the painting was stolen from the Musée Marmottan Monet by Philippe Jamin and Youssef Khimoun. Inc." Among thirty participants, the exhibition was led by Monet, Edgar Degas, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley, and showed over two hundred works that were seen by about 4,000 people, including some rather unsympathetic critics. Impression, Sunrise became the most famous in the series after being debuted in April 1874 in Paris at an exhibition by the group "Painters, Sculptors, Engravers etc. The six painted canvases depict the port "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the port". Monet visited his hometown of Le Havre in the Northwest of France in 1872 and proceeded to create a series of works depicting the port of Le Havre. Impression, Sunrise is displayed at the Musée Marmottan Monet in Paris. Impression, Sunrise depicts the port of Le Havre, Monet's hometown, and is his most famous painting of the harbor. Shown at what would later be known as the "Exhibition of the Impressionists" in April 1874, the painting is attributed to giving rise to the name of the Impressionist movement. He later produced several series of paintings including: Rouen Cathedral, Poplars, the Houses of Parliament, Mornings on the Seine, and the Water Lilies that were painted on his property at Giverny.Impression, Sunrise (French: Impression, soleil levant) is a painting by Claude Monet. ![]() Fifteen of the paintings were exhibited at the Galerie Durand-Ruel in 1891. His first series exhibited as such was of Haystacks, painted from different points of view and at different times of the day. Beginning in the 1880s and 1890s, through the end of his life in 1926, Monet worked on "series" paintings, in which a subject was depicted in varying light and weather conditions. Within a few years by 1899 Monet built a greenhouse and a second studio, a spacious building, well lit with skylights. ![]() By November 1890 Monet was prosperous enough to buy the house, the surrounding buildings and the land for his gardens. The family worked and built up the gardens and Monet's fortunes began to change for the better as his dealer Paul Durand-Ruel had increasing success in selling his paintings. The house was close enough to the local schools for the children to attend and the surrounding landscape offered an endless array of suitable motifs for Monet's work. There was a barn that doubled as a painting studio, orchards and a small garden. The house was situated near the main road between the towns of Vernon and Gasny at Giverny. Following the death of her estranged husband, Alice Hoschedé married Claude Monet in 1892.Īt the beginning of May 1883, Monet and his large family rented a house and two acres from a local landowner. In April 1883 they moved to Vernon, then to a house in Giverny, Eure, in Upper Normandy, where he planted a large garden where he painted for much of the rest of his life. From the doorway of the little train between Vernon and Gasny he discovered Giverny. In 1881 all of them moved to Poissy which Monet hated. In the spring of 1880 Alice Hoschedé and all the children left Paris and rejoined Monet still living in the house in Vétheuil. They were Blanche, Germaine, Suzanne, Marthe, Jean-Pierre, and Jacques. After her husband (Ernest Hoschedé) became bankrupt, and left in 1878 for Belgium, in September 1879, and while Monet continued to live in the house in Vétheuil Alice Hoschedé helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. Both families then shared a house in Vétheuil during the summer. In 1878 the Monets temporarily moved into the home of Ernest Hoschedé, (1837-1891), a wealthy department store owner and patron of the arts. ![]()
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